Benoît Luyckx always imagines his work as such, naturally, but also in a manner that will imply its integration, its adaptation to the important volumes of current buildings. Above all, he does not want his work to be seen as a decorative adjunct, but more as an integral part of the whole building, and in accordance with the architect’ ideas and aims.
Each one of his work, quite obviously can, once it is developed, occupy an important place, for they are see as architectonic elements without interference. This explains his wish to be involved right from the start of the building’s inception so as to be even more integrated, to act together in order to obtain a more coherent whole in the space jointly chosen.
Her is an oeuvre which always calls out for the monumental scale […].
extract from the text written by Patrick-Gilles Persin, art critic
“Voiles” (“Sails”) 2021, duo in Tavel’s blue stone and Statuario Venato marble, 2,60 meters high // private collection, French Riviera
“Falbala”, 2020, bronze 1/8, total height 200 cm
Project realised as part of 1immeuble1oeuvre charter, Vinci Immobilier Real Estate Development, picture : Fabrice Rambert
This undertaking for the headquarters of Chanel at Neuilly-sur-Seine in 2008 combines several sculpted benches, low reliefs, as well as a “Trilogie”, a monumental sculpture 3 meters high.
// Juan Trindade interior architecture
“Duo Nador”, 1987, H.200 cm, Belgian Black Marble, exhibited at SAD, Grand Palais, Paris