Benoît Luyckx always imagines his work as such, naturally, but also in a manner that will imply its integration, its adaptation to the important volumes of current buildings. Above all, he does not want his work to be seen as a decorative adjunct, but more as an integral part of the whole building, and in accordance with the architect’ ideas and aims.

Each one of his work, quite obviously can, once it is developed, occupy an important place, for they are see as architectonic elements without interference. This explains his wish to be involved right from the start of the building’s inception so as to be even more integrated, to act together in order to obtain a more coherent whole in the space jointly chosen.

Her is an oeuvre which always calls out for the monumental scale […].

extract from the text written by Patrick-Gilles Persin, art critic